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Showing posts with label DEEP COVER. Show all posts
Showing posts with label DEEP COVER. Show all posts

Wednesday, July 14, 2010

**CRAZY SHHHH**Tony Yayo Explains 50 Cent Onstage 'Attack' In Brazil





MTV: One overzealous fan doesn't stop a show, Tony Yayo says. Earlier this week, footage of 50 Cent and G-Unit performing in Salvador, Brazil, hit the Internet. In the middle of "Ayo Technology," a fan jumps onstage and tries to grab the G-Unit general. 50's security and Lloyd Banks promptly subdue the fan — and the song never stops. On Tuesday (July 13), Yayo gave his take on the situation.

"The show got crazy, man," Yayo, who is still in Brazil with his crew, told MTV News via phone. "For security reasons, when somebody jumps onstage ... when [performers] got on chains for $20,000, $30,000, $40,000, that's a security risk right here. Nobody should be onstage except me, Banks and 50. It was just a fan — he got a little carried away, a little happy. People make it seem like he got beat down real, real bad. He didn't get beat down bad — he just got tackled, taken off the stage and the show [went] on."

Yayo said that whenever the Unit go to foreign territories, fandemonium ensues.

"We been getting crazy love," Tony added about the group's time in Brazil. "That's why I don't want people in Brazil to think we out here beating down our fans. When somebody is on the stage, you want to keep the show going. We never stop the show. When you onstage and you got a crowd of 10,000 Brazilian people, you don't want to stop it because a guy is jumping onstage. Just like Africa or other places you go, people get excited — we're like UFOs to the people. They don't see rappers come to Brazil and come to these other places. Sometimes fans get a little excited — that's what that was about. The guy wasn't beat up bad or nothing."

The incident was hardly the first time a fan has crashed a G-Unit performance. Back in 2008, a fan in Angola jumped onstage and endeavored to make off with 50's Cent chain. Fif and company promptly jumped in the audience and recovered the merchandise. The man was later arrested after being turned in to police by his own parents.

Saturday, April 24, 2010

Pitchfork Reviews Wiz Khalifa's "Kush and Orange Juice"


Kids love them some Wiz Khalifa. In a recent Washington City Paper review, the rap blogger Noz described a sold-out 9:30 Club full of late-teens/early-twenties fans, all singing along with the young Pittsburgh rapper's entire set. A little bit of YouTube research shows similar scenes-- at clubs across the country, not just the ones in the Eastern corridor. And when Kush and Orange Juice, the new Wiz mixtape, hit the internet last week, it was a #1 Twitter trending topic for most of the day. And though it's important not to put too much stock in something as ephemeral as trending topics, it at least means there are a whole lot of people talking about a rapper with no major label deal and no superstar allegiances. It's pretty impressive.

Wiz's appeal isn't too hard to figure out. Though he lost his deal with Warner Bros. a while back, you never hear any of the bitterness usually associated with big-label refugees. Instead, he talks his shit with a blasé assurance; one chorus on the mixtape goes, "We belong on the top, but we ain't trippin'/ Cuz we'll get there in a minute." For the most part, he raps about only three things: Weed, girls, and smoking weed with girls (usually your girl). His rap style is easy and conversational, a pinched murmur that never leans too hard on punchlines or narrative. He's got this donkey giggle that he lets loose often, and it might beat out Lil Wayne's guffaw as rap's most irritating laugh, no mean feat. He sounds like the kid two dorm rooms down, bragging about whatever insane party he was at last night while he munches Froot Loops out of the box and watches cartoons on the common-room TV. He's charismatic in a completely relatable way.

He's also got a great ear for beats. The tracks are airy, diffuse things, full of smooth 1980s-funk synths and drums that amble along slowly and quietly. His choices in samples suggest a lot of time watching TV while stoned: Frou Frou's Garden State end-credits song "Let Go" on "In the Cut", Disney princess Demi Lovato's Camp Rock soundtrack single "Our Time Is Here" on "We're Done". "Good Dank" is all warm, rippling psych-funk-- its guitars and organs woozy as all hell, its drums completely nonexistent. And rather than bulldozing through these beats, Wiz just dances around them, never letting his delivery settle into a consistent cadence. Often, he sings his choruses in a calm, casual quaver. Sometimes, he skips rapping altogether. On "Up", he spends four minutes just singing the praises of weed over spaced-out Rhodes plinks, ending by repeating, "Everything's better when you're high," over and over.

When a more conventional rapper like Killa Kyleon or Big K.R.I.T. shows up, the contrast speaks volumes. Those guys are both very good at what they do, but they sound almost old-fashioned in this context, nicely breaking up the half-committed shit-talk. Wiz never sounds like he has a lot at stake; he talks like life is a long, unchanging progression of joints and hotel rooms and girls, which, for him, maybe it is. Among his most characteristic lines is this: "While you at home on Twitter, trying to hack her page and shit/ We smoking and cracking jokes on how lame you is." That kind of indolent wit can lead to some truly dubious ideas, like when Wiz sang Beyoncé's "If I Were a Boy" as "If I Were a Lame" on 2009's Burn After Rolling mixtape, or when he tries his hand at reggae on "Still Blazin" here. But for the most part, Kush and Orange Juice is a surprisingly relaxed and easy listen, a great soundtrack for a barbecue or a spring-weather drive. And that's all it wants to be, so mission accomplished.

— Tom Breihan, April 22, 2010"

Monday, April 19, 2010

**WTF** Cam’ron and Jim Jones rebuild friendship, Jimmy issues public apology!!!!




MissInfo Quotes:



Last week I had a conversation with two old friends. But what was remarkable about this wasn’t the fact that they called, or even what we talked about….what really meant something is that, for the first time in over three years, these two guys were calling me together…

“Minya, it’s Jimmy….I’m sitting in the passenger seat of this car right now. I want you to talk to the driver real quick.”

“Ok, Jimmy.”

[brief pause] “What up, Min. It’s Cam…”

Yes!! Now we’re finally getting somewhere…Before I could start grilling them about the who/what/where/why/when….Jimmy made it very clear that he had to get something off his chest, with Cam right there…

Jim Jones said: “It’s 2010, and this is something I gotta get off my chest…You’ve known us from back when we didn’t have what we have now, so you remember, that above all, me and Cam, we still brothers. And we’re building on getting back on track but first, I apologize for being a rude brother, for saying things publicly without first trying to handle them privately. I apologize for not leading by example because what I didn’t realize at the time, I was venting but it wasn’t all about me. There were other people whose dreams were also part of this movement. So by not leading by example, they were left stranded too. The way I handled our business issues was with emotion, and it got totally f–ked up. That’s what selfishness does….”

read the rest after the jump


Jim Jones (cont.): “…I have demons that I’m learning to deal with. We’re all successful, me and Cam and Juelz, so we’re blessed. But that comes with responsibilities. I had complaints and I’m not backing away from the issues I had, but I’m just mad at how I handled them. The business of the Diplomats could have been fixed before. But by putting my emotions out in the public, it only made things worse. And of course, some of us became bitter about it. We had this luxurious life, but the rest of the family, they had slow down because of the ball I started rolling. I’d be pissed at me too…

But God works in mysterious ways…a couple people took vacations, and there’s a lane that’s wide open. What we built solo since Dipset grew apart, we can combine and make even stronger together. I needed to clear my conscious before we work on building a bigger and better movement. Plus, consider it fair warning to everyone else.”

When Cam got back on the phone, he was definitely more pragmatic and cautious with his words.

Cam’ron: “There’s nothing really Diplomats-related to show you yet. We all have our own obligations right now, our own projects. I have this Boss of All Bosses Pt. 2.5 mixtape with Vado and DJ Drama dropping soon. But yes, me and Jim have been speaking, we’re working out the mechanics of this, and looking at our options right now. If it makes sense, it can happen.”

Ok, so no speeding, Dipset fans. Let’s not call it a “reunion” just yet. But this is still progress, especially since the last time the subject came up.


Tracing the history of the Dipset split and the rollercoaster ride that followed, it always felt like the main problem was a communication disconnect. Two brothers who stopped talking to each other and just talked at one another. The lack of communication prompted Jimmy to air out his gripes about Cam. Third Diplomats member, Juelz tried to stay neutral but without dialogue he eventually walked off on his own. The public comments made Cam so disillusioned with his own crew that he walked away. Then everyone started moving dolo: alliances were made and concert appearances, and reactions followed. Time passed…and MTV reported that Cam and Jimmy spoke. But then Jimmy backed away. It was 2 steps forward, 3 steps back. But then last March, Jimmy offered another peace pipe to Cam on the Funk Flex Show.
“…if Cam is listening, maybe we can sit down and get some business together and…give the people what they want.”

And it’s true. Through it all, that is still what “the people” have always wanted. They want to see Killa Cam and Jim Jones, in a stretch limo with a hottub in the trunk, Juelz Santana on deck with a bandana on…all rhyming over a Kanye West or Just Blaze beat with a good sped-up sample; ) I don’t want it if its just a series of .wav files sent via AIM. I want 5H. But I’ll even take a couple guys who have grown out of 5H, having a couple drinks and reliving the struggle they came through, and enjoying the chemistry that they still share.

Saturday, September 26, 2009

Saturday, September 19, 2009

**FASHION WEEKLY** 90'S FLAVA OWWWW

**WAVY WHIPS** ASTON MARTIN DBS VOLANTE


CHECK THIS WAVY WHIP OUT THIS 2010 ASTON MARTIN DBS VOLANTE OUT,THIS SHIT IS CRAZY CAUSE ITS A BRITISH WHIP,BUT ITS IN AMERICA ON DA HARD TIP LOL.I FIGURE IF U DROP THAT TOP THE FREAKS WILL GO NUTZ.SUMMER TIME 2010 IN SOUTH BEACH OH YEAH DO THAT DUE OUT NEXT YEAR SPRING TIME THIS CAR IS A BIG HIT (BETTA DROP DAT DROP WHEN ITS 90 DEGREES & U ON SOUTH BEACH RDIN DA BREEZE -MAX B)

Saturday, September 12, 2009

**DEEP COVER~FASHION WEEKLY**WATCH THIS!!!!






THIS IS THAT KANYE SWAGG & ALL THIS IS ABOUT $1500 BUCKS IN CLOTHES......FUCK WITH US WE WAVY!!!!AND WE GOT AURA








NOW THIS IS THE B.I.G FLOW FOR NIGGAZ LIKE ME REPPIN BROOKLYN THIS IS MUCH MULA SPENT EXCEPT FOR THE JEWELS AND THE SHADES SO DATS ABOUT $1200 FOR EVERTHING,AS U SEE THE BIG SHIRT FROM WARNING IS BACK IN STYLE!!!!!!!BECAUSE J'MEL SAID SO HAHAHAH LOLZ STAY WAVY PEOPLE -J'MEL

**DEEP COVER**LOOK WHAT NIGGA DOIN IN DA CLUBS WOOOW

ITS DEEP COVER WEEK AT DAWAVELIFE & WE GOIN DEEP COVER ON EVERYTHING CLOTHES,ARTIST,MUSIC,ETC JUST STAY UP & OPEN FOR THE WAVE!!!!!!!!!!OWWWWWWE -J'MEL & WAVYNICK OF WAVE GANG
LOOK WHAT THESE NIGGAZ IS DOIN INDA CLUB NOW'A'DAYS LOL(WHAT EVER HAPPEND TO POPPIN BOTTLES,SMOKIN BLUNTS,AND LEAVIN TO DO THA NASTY)DONT DO IT IN THE CLUB OH USHER ASS PEOPLE HAHAHA) -J'MEL

**DEEP COVER**CHRIS BREEZY'S CRIB IS WAVY

WE'VE COME TO A CONCLUSION DAT THIS NIGGA CHRIS BROWN HAS IT MADE.A RICH BITCH(PUNK NIGGA BEATS WOMEN)EVEN THOUGH HE AINT GAIN MY RESPECT BACK HIS CRIB IS WAVY.......SEE FOR YOURSELF

THIS NIGGA GOT A DANCE STUDIO IN HIS HOUSE WITH GRAFITTI WALLS........WOW DATS BREAD RITE THERE!!!!!!!!


LOOK AT THIS NIGGA CLOSSET NIGGA GOT MORE CLOTHES THAN A FUCKIN BOUTIQUE THATS WAVY!!!!!!OWWWW

NOW LOOK @ HIS WHIPS ALL EXPENSIVE OWWWWEAND HE GET AROUND THE HOUSE ON A DIRT BIKE MUST BE BIG ASS HOUSE,WITH MAD LAND!!!!!!!

I FUCKS WITH HIS MUSIC!!!!!! BUT STOP HITTIN WOMEN DAWG SHIT AINT WAVY FAM KEEP IT WAVY CHRIS -J'MEL